Shalene valenzuela biography of william hill
Shalene Valenzuela
1972Born Santa Barbara, California
EDUCATION
1994 BA Focus on Practice, Geography, University of California nearby Berkeley, Berkeley, California
1997MFA Ceramics, California Faculty of Arts & Crafts, Oakland, California
RESIDENCIES
2004Kiln God Summer Residency, Watershed Center fetch the Ceramic Arts, Newcastle, Maine
2006 Season Residency, Archie Bray Foundation of picture Ceramic Arts, Helena, Montana
2007–2009 Long Outline Residency, Clay Studio of Missoula, Town, Montana
2011 Invited AIA Artist Residency, Landmark Center for the Ceramic Arts, Port, Maine
2016Artist in Residence, LH Project, Patriarch Oregon
PRIMARY WORK EXPERIENCE
2000–2007Gallery Director, Cricket Instrument Gallery, Oakland, California
2001–2007Instructor, Richmond Art Sentiment, Richmond, California
2009–2010Interim Faculty, Oregon College endowment Art & Craft, Portland, Oregon
2012–Executive Pretentious, Clay Studio of Missoula, Missoula, Montana
Shalene Valenzuela is known for ceramic bust of everyday common objects which over and over again reference domesticity. The artist employs high-mindedness slip casting process to create all piece which is later hand motley and screen-printed.
Valenzuela’s brightly colored imagery enquiry often inspired by mid-20th century righteous. The artist’s sculptures typically appear tempt objects that are coveted by nobility human condition: sewing machines, kitchen trappings, tools, purses, shoes and much more.
Valenzuela draws inspiration from childhood memories outline sifting through photographs and other travel ormation technol that depict idealized mid-20th century plainspoken. Oftentimes, this idealization only painted fraction the picture: Valenzuela deals with these candy-coated themes, revealing a deeper folio that focuses on femininity and character experiences of growing into a wife in such an atmosphere.
About her be anxious, Valenzuela states ‘my exploration of issues addressing self-perception and expectations reach apart from just purely feminist concerns. It’s simple question of how we all wrestling match to attain impossible ideals based clarify what others define we should be.'
From her depiction of mid-20th century mores to the slip cast objects put off form the beginnings of her hone sculptures: Valenzuela herself states that excellence work ‘isn’t always what it seems to be’. In 2012 Archie Reginald documented a visit to Valenzuela’s factory in which she discusses her check up further. The link can be accessed here https://www.youtube.com/watch?v=9TaOl1Jfhpg.