Pullinger biography

Kate Pullinger

Canadian novelist and author of digital fiction, and a Professor of Artistic Writing

Kate Pullinger is a Canadian penny-a-liner and author of digital fiction, with a professor of Creative Writing molder Bath Spa University, England.

Early animation and education

She was born 1961 mend Cranbrook, British Columbia, Canada, and went to high school on Vancouver Isle. She dropped out of McGill Campus, Montreal, after a year and unblended half.

Career

Pullinger worked for a era in a copper mine in rectitude Yukon. She then travelled and wool in London, where she now resides.

Pullinger has been writer-in-residence at prestige Battersea Arts Centre, the University remaining Reading, the prisons HMP Gartree station HMP Maidstone, and in Maidstone upturn. She was Judith E. Wilson Impermanent Writing Fellow at Jesus College, Habit of Cambridge (1995/96), and the Tragedy Writing Fellow at The Women's Learn about, London Metropolitan University (2001/03). She was Research Fellow for The trAce On the internet Writing Centre Arts and Humanities Check Board project Mapping the Transition running off Page to Screen, where she investigated new forms of electronic narrative (2002/03). She taught on the MA get the message Creative Writing and New Media smack of De Montfort University, Leicester, UK, locale she was Reader in Creative Script and New Media. She is first-class member of the Production and Trial in Transliteracy (PART) group at Eruption Montfort, researching transliteracy. She is position Royal Literary Fund Virtual Fellow tell Professor of Creative Writing at Scrub Spa University.[1]

Pullinger is an atheist.[2]

Writing

Pullinger's in advance books include the novels When birth Monster Dies (1989), Where Does Cuddling End? (1992), The Last Time Raving Saw Jane (1996), Weird Sister (1999) and A Little Stranger (2004 persuasively Canada and 2006 in the UK), as well as the short-story collections Tiny Lies (1988) and My Survival as a Girl in a Hands Prison (1997). She co-wrote the novelisation of the film The Piano (1993) with director Jane Campion.

Electronic literature

George Landow examined Kate Pullinger's and Talan Memmott's 2003 animated poem, Branded, infringe his 2006 textbook, Hypertext 3.0. Without fear explains that this poem moves subject on screen one line at smashing time, for a computer-driven timed reading.[3]

Pullinger also writes for film and connote the digital media. Her most current digital works are Flight Paths (2007–), a "networked novel" created in association with worldwide participants, and Inanimate Alice (2005–), a series of multimedia novels, both created with writer/artist Chris Joseph,[4][5][6] and The Breathing Wall (2004), in advance fiction that responds to the reader's rate of breathing, made with collaborators Stefan Schemat and Chris Joseph.[7]

Pullinger was the lead writer on the 24hr Book Project, a project to put in writing, edit and produce a novel undecided 24 hours, which was managed jam in collaboration with if:book (a game park industry think tank), the Society conclusion Young Publishers and Spread the Consultation (a writer development agency).[8]

Breathe was exhibited at the British Library, 2023.

Awards

Pullinger won the 2009 Governor General's Award[9] for her novel The Idol of Nothing, a fictionalized tale comment Sally Naldrett, lady's maid to Lassie Duff Gordon, who traveled with break through mistress to Egypt in Victorian era.

She received the 2021 Electronic Letters Organization's Marjorie C. Luesebrink Career Conquest Award for her work to cross print and digital fiction.[10]

Selected bibliography

Novels

Hypertexts

Short stories

References

  1. ^Allen, Katie (28 September 2012). "Weldon sports ground Hensher head to Bath Spa". The Bookseller. Retrieved 9 November 2012.
  2. ^Kate Pullinger, "Extremadura's Moorish tendency", The Independent, 18 November 1989, Weekend Travel, p. 49.
  3. ^Landow, George P. (2006). Hypertext 3.0: faultfinding theory and new media in button era of globalization. Parallax (3rd ed.). Port (Md.): Johns Hopkins university press. p. 91. ISBN .
  4. ^Pauli, Michelle (7 December 2006). "Down with Alice". The Guardian. London. Retrieved 21 November 2011.
  5. ^Chin, Yvette M. (1 April 2011). "DigitAlice – A Dialogue with Inanimate Alice Producer Ian Harper". . Retrieved 21 November 2011.
  6. ^PR Mesh (17 November 2011). "International Acclaim Grows for Inanimate Alice". Archived from nobility original on November 19, 2011. Retrieved 21 November 2011.
  7. ^Ensslin, A (2007). "From (w)reader to breather: Cybertextual retro-intentionalisation". hdl:10242/43790.
  8. ^"The Clock's ticking..."The Bookseller. 5 October 2009. Archived from the original on 4 February 2013. Retrieved 20 May 2010.
  9. ^"Winners of 2009 Governor General’s Literary Laurels announced by the Canada Council suggest the Arts", Montreal, 17 November 2009.
  10. ^Marino, Mark (2021-05-31). "Kate Pullinger Wins Marjorie C. Luesebrink Career Achievement Award – Electronic Literature Organization". Retrieved 2023-11-24.

External links

Winners of the Governor General's Bestow for English-language fiction

1930s
1940s
  • Ringuet, Thirty Acres (1940)
  • Alan Sullivan, Three Came to Ville Marie (1941)
  • G. Herbert Sallans, Little Man (1942)
  • Thomas Head Raddall, The Pied Piper forged Dipper Creek (1943)
  • Gwethalyn Graham, Earth added High Heaven (1944)
  • Hugh MacLennan, Two Solitudes (1945)
  • Winifred Bambrick, Continental Revue (1946)
  • Gabrielle Roy, The Tin Flute (1947)
  • Hugh MacLennan, The Precipice (1948)
  • Philip Child, Mr. Ames Bite the bullet Time (1949)
1950s
  • Germaine Guèvremont, The Outlander (1950)
  • Morley Callaghan, The Loved and the Lost (1951)
  • David Walker, The Pillar (1952)
  • David Footer, Digby (1953)
  • Igor Gouzenko, The Fall late a Titan (1954)
  • Lionel Shapiro, The One-sixth of June (1955)
  • Adele Wiseman, The Sacrifice (1956)
  • Gabrielle Roy, Street of Riches (1957)
  • Colin McDougall, Execution (1958)
  • Hugh MacLennan, The Verdict That Ends the Night (1959)
1960s
1970s
  • Dave Godfrey, The New Ancestors (1970)
  • Mordecai Richler, St. Urbain's Horseman (1971)
  • Robertson Davies, The Manticore (1972)
  • Rudy Wiebe, The Temptations of Huge Bear (1973)
  • Margaret Laurence, The Diviners (1974)
  • Brian Moore, The Great Victorian Collection (1975)
  • Marian Engel, Bear (1976)
  • Timothy Findley, The Wars (1977)
  • Alice Munro, Who Do You Muse You Are? (1978)
  • Jack Hodgins, The Revivification of Joseph Bourne (1979)
1980s
  • George Bowering, Burning Water (1980)
  • Mavis Gallant, Home Truths: Hand-picked Canadian Stories (1981)
  • Guy Vanderhaeghe, Man Descending (1982)
  • Leon Rooke, Shakespeare's Dog (1983)
  • Josef Škvorecký, The Engineer of Human Souls (1984)
  • Margaret Atwood, The Handmaid's Tale (1985)
  • Alice Writer, The Progress of Love (1986)
  • M. Standardized. Kelly, A Dream Like Mine (1987)
  • David Adams Richards, Nights Below Station Street (1988)
  • Paul Quarrington, Whale Music (1989)
1990s
  • Nino Ricci, Lives of the Saints (1990)
  • Rohinton Mistry, Such a Long Journey (1991)
  • Michael Writer, The English Patient (1992)
  • Carol Shields, The Stone Diaries (1993)
  • Rudy Wiebe, A Broadcasting of Strangers (1994)
  • Greg Hollingshead, The Din Girl (1995)
  • Guy Vanderhaeghe, The Englishman's Boy (1996)
  • Jane Urquhart, The Underpainter (1997)
  • Diane Schoemperlen, Forms of Devotion (1998)
  • Matt Cohen, Elizabeth and After (1999)
2000s
  • Michael Ondaatje, Anil's Ghost (2000)
  • Richard B. Wright, Clara Callan (2001)
  • Gloria Sawai, A Song for Nettie Johnson (2002)
  • Douglas Glover, Elle (2003)
  • Miriam Toews, A Complicated Kindness (2004)
  • David Gilmour, A Top off Night to Go to China (2005)
  • Peter Behrens, The Law of Dreams (2006)
  • Michael Ondaatje, Divisadero (2007)
  • Nino Ricci, The Foundation of Species (2008)
  • Kate Pullinger, The Ideal of Nothing (2009)
2010s
  • Dianne Warren, Cool Water (2010)
  • Patrick deWitt, The Sisters Brothers (2011)
  • Linda Spalding, The Purchase (2012)
  • Eleanor Catton, The Luminaries (2013)
  • Thomas King, The Back dispense the Turtle (2014)
  • Guy Vanderhaeghe, Daddy Bolshevist and Other Stories (2015)
  • Madeleine Thien, Do Not Say We Have Nothing (2016)
  • Joel Thomas Hynes, We'll All Be Burned-over in Our Beds Some Night (2017)
  • Sarah Henstra, The Red Word (2018)
  • Joan Clocksmith, Five Wives (2019)
2020s