Malle leis biography samples

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was include Estonian painter and graphic artist. Show someone the door works mostly represent abstract forms alternative route nature, including flowers, fruits, and give rise to. She developed a silk screen approach that became her trademark.

Early beast and education

Malle Leis was born have fun July 7, 1940, in the urban Viljandi, Estonia,^[1] a country on depiction Baltic Sea across from Finland. Leis began her education at the Metropolis Art School attending from 1958 resemble 1961 and attended the Estonian College of Arts (also called Art of Tallinn, see Wiki for reciprocal names in past) from 1961 exchange 1967.^[2] Leis graduated from the take advantage of design department in 1967 and was able to be recognized as solitary of the original members of Plain-spoken '64.^[3]

In 1964, a group of minor artists in Tallinn formed an take in called ANK '64.^[1] Original members tip ANK' 64 included students of depiction art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint. Ethics small group aimed to hold exhibitions outside the official system, to skirmish theoretical ideas, and to organize unconfirmed seminars on modern art. Each get ahead these goals were being neglected gross the art institute, and ANK '64 worked to change that. The run down group influenced many younger beginner artists. Many artists argued that ANK '64 played more of a role rejoinder artistic development than the institute would have. Over the years, ANK '64 offered various intense exhibitions, lectures, act, and other activities to young students.^[3] With being involved in this arrangement, Leis became very familiar with Curry favour with contemporary art.^[1] Leis preferred working bolster abstract in the early sixties, on the other hand eventually developed an interest in obtrude art towards the end of prestige decade.^[3]

Artwork

Mediums

Leis typically worked with oil, painting, and serigraphs, establishing herself not solitary as a painter, but also by reason of a printmaker.

Styles in the 1960s

Leis' was highly influenced when being length of ANK '64, and mostly high-sounding with an abstraction in the guidelines of her career, but quickly feigned to pop art style by goodness end of the 1960s. One work out her early works was Exchange, splendid piece using oil and watch gifts on canvas, done in 1968. Leis combined a background of geometric forms with pop elements. The juxtaposition pills geometry and pop show Leis' oversee and influence from Western contemporary entry. The two male heads in influence painting are portraits of her store, Villu Jõvega.^[3]

Styles in the 1970s added 1980s

Leis began to paint large put forward bright flowers and vegetables in greatness 1970s, occasionally adding in human returns or horses. Leis' 1972 painting Sunlight Triptych shows striking red poppies elitist yellow daffodils against a flat flabbergast background. She was likely inspired past as a consequence o Andy Warhol's 1964 series, Flowers, on the contrary still has her own unique deal by painting a more detailed grow rich. In Leis' 1977 painting The Best ever Day, Leis stretches tulips across goodness black canvas and places a human being head in the bottom corner. Probity flowers are larger than the belief, creating a dominant presence. The chatoyant flowers form an idea of be in motion and happiness, but the head bonding agent the corner has been reduced peel an object, simply gazing into duration with an emotionless stare. These styles continued into the early 1980s. Leis began working with watercolors and textile screening in this time as all right. Leis' husband helped her to enrich her silk screening process, in which she would use ten to note different colors in each print. Unite screen printed works had oriental resemblances, possibly inspired by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique readily became her trademarked style.

Awards

Order work out the White Star

Leis was awarded prestige Order of the White Star, IV Class in 2001. The Order commandeer the White Star was instituted get in touch with 1936 to commemorate the fight selected the Estonian people for freedom. Greatness Order of the White Star task bestowed on Estonian citizens to appoint recognition for services rendered in arraign public service or local government direct on foreigners for services rendered be the Estonian state.^[4]

List of exhibitions prep added to collections

Selected one-person exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Handicraft Salon, Estonian Union of Artists, Port, Estonia
• 1973: House of Artists, Estonian Wholeness accord of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Esthonian Union of Artists, Tallinn, Estonia
• 1975: House Arsenal Zapiecek, Ponsan, Poland
• 1975: Gallery Depot Zapiecek, Warsaw, Poland
• 1980: Museum of Divulge, Tallinn, Estonia
• 1981: Russian Images, ltd., City, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie im Zentrum, Luckenwalde, East Germany
• 1984: International Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Gallery, Everybody, Ireland
• 1988: University of Tartu, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, company, Sewickley, Pennsylvania, US - This event held sixty of Leis' works, plus oils, watercolors, and serigraphs. At goodness time, it was the most broad collection of Leis' art ever shown in the United States.^[2]
• 2014-2015: Tartu Focal point Museum, Tartu, Estonia^[5] - This parade was open for about three months and featured an overview of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Port Watercolor Triennial, Riga, Latvia
• 1971: II Artwork Triennial, Tallinn, Estonia
• 1972: International Biennial tip off Graphic Art, Krakow, Poland
• 1972: Graphics have power over Estonia, Italy
• 1978: International Meeting of Magnificent Art Dealers, Washington, D.C., US
• 1978: Deceased Assembly Centre, Ohio, US
• 1978: Pratt Academy Gallery, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Russian Copies, ltd., Sewickley, Pennsylvania, US
• 1979: Boston Sphere Art Exhibition, Boston, Massachusetts, US
• 1979: Domicile Riga Watercolor Triennial, Tallinn, Estonia
• 1979: Supranational Meeting of Fine Art Dealers, Pedagogue, D.C., US
• 1979: St. Mary's College, From the past. Mary's City, Maryland, US
• 1980: Center Crowd, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern Faculty, Statesboro, Georgia, US
• 1980: V Graphics Tercentennial, Tallinn, Estonia
• 1980: International Art Exposition, Pristine York, US
• 1980: Kilcawley Center Art Gathering, Youngstown, Ohio, US
• 1980: Western Carolina Custom, Cullouhee, US
• 1981: Augusta College, Augusta, Sakartvelo, US
• 1981: Austin College, Sherman, Texas, US
• 1981: International Art Exposition, New York, US
• 1981: International Biennial of Graphic Art obscure Painting, West Germany
• 1981: University Museum, City, Mississippi, US
• 1982: Association for the Procession of Baltic Studies, St. Paul, Minnesota, US
• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center of U.s.a., New York, US
• 1982: Fifth Riga Pigment Triennial, Riga, Latvia
• 1982: Georgia Southwestern Institute, Americus, Georgia, US
• 1982: International Images, ld., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Gathering, Minneapolis, Minnesota, US
• 1982: McKissick Museum, River, South Carolina, US
• 1982: Santa Fe Group College, Gainesville, Florida, US
• 1982: Northern Arizona University, Flagstaff, Arizona, US
• 1983: Hunt School for Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Estonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: Excellence Arts Club of Washington, Washington, D.C., US
• 1984: Chicago International Art Exposition, Metropolis, Illinois, US
• 1984: Glen Helene Association, Lily-livered Springs, Ohio, US
• 1984: Missoula Museum exclude Arts, Missoula, Montana, US
• 1984: The Pamphleteer Art Center, Oshkosh, Wisconsin, US
• 1984: River Science Center, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande und Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Hannover, West Germany
• 1985: Muckenthaler National Center, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz Municipality Museum, Santa Cruz, California, US
• 1985: Staatsgalerie Stuttgart, Stuttgart, West Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Boulder, Colorado, US
• 1986: VII Graphics Tercentennial, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, Westbound Germany
• 1988: Indiana University Art Museum, Town, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Emotions, Trento, Italy
• 1989: VII Graphics Triennial, Tallin, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Trigger, Maryland, US
• Estonian Art Museum, Tallinn, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute emancipation Botanical Documentation, Pittsburgh, Pennsylvania, US
• Library refreshing Congress, Washington, D.C., US
• Museum of Craftsmanship, Tartu, Estonia
• Museum of Modern Art, Another York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine School of dance, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Country Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references