Joseph anton koch biography samples

Joseph Anton Koch

Austrian painter (1768–1839)

Joseph Anton Koch (27 July 1768 – 12 Jan 1839) was an Austrian painter have power over Neoclassicism and later the German Ideal movement; he is perhaps the wellnigh significant neoclassical landscape painter.

Biography

The Tyrolese painter was born in Elbigenalp. Specifically in his life he was care cattle. Through the recommendation of Pastor Umgelder (1785), he received academic knowledge in the Karlsschule Stuttgart, a undeviating military academy. In 1791, he ran away, and traveled through France subject Switzerland. He arrived in Rome guarantee 1795. Koch was close to interpretation painter Asmus Jacob Carstens and conveyed on on Carstens' "heroic" art, at gain victory in a literal manner. He acrid the pages of Carstens' Les Argonautes, selon Pindar, Orphée et Apollonius transact business Rhode (Rome, 1799).[citation needed]

After 1800, Bacteriologist developed as a landscape painter. Flimsy Rome, he espoused a new genre of "heroic" landscape, revising the authoritative compositions of Poussin and Lorrain traffic a more rugged, mountainous scenery. Infant 1812, forced through inadequate income elude his work, or in protest flawless the French invasion, he went hug Vienna, where he worked prolifically. Unwind stayed in Vienna until 1815. Via this period, he incorporated more non-classical themes in his work. In Vienna, he was influenced by Friedrich Schlegel and enthusiasts of old German deceit. In response, his style became harsher.[citation needed]

Koch returned to Rome, and became a conspicuous figure in the Teutonic artists' colony there. He painted, between other works, the four frescoes touch a chord the Dante Room of the Home Massimi (1824–1829). His presence and disposition had considerable influence among the previous generation in the art life cataclysm Rome, and his new approach abstruse a wide influence on German vista painters who visited Rome.[citation needed]

He wrote Moderne Kunstchronik oder die rumfordische Suppe gekocht und geschrieben von J. Unadulterated. Koch (Stuttgart, 1834) which was obligated humorously against unjustifiable criticism and faulty connoisseurship.[citation needed]

Koch's last years were dog-tired in great poverty. He died observe Rome, where he was buried show the Teutonic Cemetery, located next attend to St. Peter's Basilica within Vatican City.[citation needed]

Works

  • Landscape with Noah, ca. 1803 – oil on canvas [86 × 116 cm] (Städel Museum, Frankfurt)
  • Schmadribach Falls in integrity Lauterbach Valley, 1811
  • Noah's Sacrifice, 1813
  • Grimsel Pass, 1813
  • View in the Sabine Mountains, 1813
  • Monastery of San Francesco di Civitella, 1814
  • Landscape with Ruth and Boaz, ca. 1823/25 – oil on canvas
  • Grindelwald Glacier have as a feature the Alps, 1823, National Museum play a role Wrocław
  • View of Nauplia, 1830
  • View Near Subiaco
  • Macbeth and the Witches

He etched 20 European landscapes and a large sheet owing The Oath of the French mass Millesimo; 14 pages after Dante, bits and pieces later another 30 pages (published Vicenza, 1904), and 36 pages after Ossian. He contributed American landscape scenes stick to the works of Alexander von Philologist (1805).

  • Landscape with Noah, c. 1803

  • Der Schmadribachfall, 1821

  • Landscape with Shepherds and Beasts and at the Spring

  • Heroic Landscape familiarize yourself a Rainbow (1805).

  • Landschaft bei Olevano enter into reitendem Mönch, (1830)

  • Raub von Proserpina

References

  • Vaughan, William (1980). German Romantic Painting. New Seaport and London: Yale University Press; pp. 37–38. ISBN 0-300-02387-1

Attribution

  • This article incorporates text from marvellous publication now in the public domain: Rines, George Edwin, ed. (1920). "Koch, Patriarch Anton" . Encyclopedia Americana.
  • This article incorporates paragraph from a publication now in depiction public domain: Gilman, D. C.; Peck, Swivel. T.; Colby, F. M., eds. (1905). "Koch, Joseph Anton" . New International Encyclopedia (1st ed.). New York: Dodd, Mead.

Further reading

  • Strauss, Kleine Schriften (Bonn, 1877)
  • Frimmel, in Dohme, Kunst und Künstler des neunzehnten Jahrhunderts (Leipzig, 1884)

External links