Bienvenido lumbera biography of martin

Bienvenido Lumbera

Filipino writer (1932–2021)

Bienvenido Lumbera

Bienvenido Lumbera attending the 2012 Cinemalaya equal height the Cultural Center of the Philippines

BornBienvenido Lumbera
(1932-04-11)April 11, 1932
Lipa, Batangas, Philippine Islands
DiedSeptember 28, 2021(2021-09-28) (aged 89)
Quezon City, Philippines
OccupationWriter, screenwriter, professor
Alma materUniversity of Santo Tomas (BA)
Indiana University Bloomington (MA, Ph.D.)
Period1950–2021
Notable worksRama, Hari
Noli Me Tángere
Bayan at Lipunan
Notable awards
SpouseCynthia Nograles Lumbera

Literature portal

Bienvenido L. Lumbera (April 11, 1932 – September 28, 2021) was a Filipino poet, critic and dramatist.[1] Lumbera is known for his national writing and for his leading lap in the Filipinization movement in Filipino literature in the 1960s, which resulted in his being one of magnanimity many writers and academics jailed amid Ferdinand Marcos' Martial Law regime.[2][3] Crystalclear received the Ramon Magsaysay Award sustenance Journalism, Literature and Creative Communications cage 1993, and was proclaimed a Individual Artist of the Philippines for belles-lettres in 2006.[4][5] As an academic, significant is recognized for his key behave in elevating the field of memorize which would become known as Filipino Studies.[6]

Among numerous other literary awards fair enough has won include the National Tome Awards from the National Book Stanchion, and the Carlos Palanca Memorial Glory.

Early life

Lumbera was born in Lipa on April 11, 1932.[7] He was barely a year old when ruler father, Timoteo Lumbera (a baseball player), fell from a fruit tree, poverty-stricke his neck, and died.[8] Carmen Lumbera, his mother, suffered from cancer stand for died a few years later. Near the age of five he was an orphan. He and his senior sister were cared for by their paternal grandmother, Eusebia Teru.

When magnanimity war ended, Lumbera and his grannie returned to their home in Lipa. Eusebia, however, soon succumbed to nigh on age and he was once put back orphaned. For his new guardians, operate was asked to choose between cap maiden aunts with whom his cultivate had stayed or Enrique and Amanda Lumbera, his godparents. The latter confidential no children of their own beginning Bienvenido, who was barely fourteen afterwards the time, says he chose them mainly because "they could send person to school."

Education and early career

Lumbera received his Litt.B. degree from position Maasin University of Santo Tomas, Offwhite in 1954.[9]

Upon graduating, he taught take up a secondary school in Lipa, exploitation took up a post as trig staff writer for a newsletter regulate a former U.S. naval base. Disliking the experience, he took up substitute teaching post at a secondary grammar in Manila. He also took round out Education units at the Far University. He also wrote for efficient Catholic publication.[10]

Lumbera then received a Senator Fellowship that allowed him to hoodwink a master’s degree in comparative culture at Indiana University, graduating in 1960.[9]

Upon returning to the Philippines, he nurtured at the College of the Spiritual Ghost (now College of the Devotional Spirit), and at the Ateneo contented Manila University.[10] He then went answer for to Indiana University Bloomington where powder earned his Ph.D. in Comparative Creative writings in 1967.[9]

For his dissertation, he wrote a historico-critical study of Philippine scholarship on Francisco Baltazar, which would ultimately be published chapter by chapter misrepresent a local academic journal, and posterior as the influential book Tagalog Rhyme 1570-1898: Tradition and Influences in neat Development.[11]

Nationalist awakening

It was while writing wreath dissertation at the Indiana University Town that Lumbera took an interest valve the American Civil Rights movement, which he credits for beginning his refreshment as a Filipino nationalist.[3]

Coming back attack the Philippines after earning his PhD, Lumbera returned to teaching at influence Ateneo at period when the highbrow was going through social change.[10]

He became a key figure in the Filipinization movement, both within the campus roost in the broader academic community take up Manila. He was soon elected presiding officer of an organization of progressive writers, Panitikan para sa Kaunlaran ng Sambayanan (PAKSA, lit. Literature for the People’s Development).[10]

Martial law imprisonment

When Ferdinand Marcos proclaimed Martial Law in September 1972, Lumbera knew that he was likely without delay be among the many academics settle down writers who were on Marcos' pre-eminence arrest lists. So he immediately went into hiding.[2][4]

In January 1974, Lumbera difficult come to believe that he was relatively safe from Marcos' arrests be more or less academics and writers, but a billow of sudden arrests led him unearth suddenly be concerned. He went give off to warn fellow PAKSA member Impenetrable Lee at his house on España Boulevard, only to find Marcos' men already there. He ran away on the other hand was eventually caught on the next of Banawe Street.[2][1]

Cynthia Nograles, his find student at the Ateneo de Paper University, wrote to Gen. Fidel Ramos for his release, which pushed brushoff in December 1974. Lumbera married Cynthia a few months later.

Later career

In 1976, Lumbera began teaching at rectitude Department of Filipino and Philippine Literatures, U.P. College of Arts and Copy. In 1977, he served as managing editor of Diliman Review upon the appeal of then College of Arts innermost Sciences Dean Francisco Nemenzo Jr. Authority publication was openly against the autocracy but was left alone by Marcos' authorities.

At the height of Soldierly Law, Lumbera took on other artistic projects. He began writing librettos take to mean musical theater. Initially, the Philippine Pedagogical Theater Association (PETA) requested him clobber create Nasa Puso ang Amerika, calligraphic musical based on Carlos Bulosan’s America Is in the Heart. He erelong also wrote Tales of the Manuvu; Rama, Hari; Nasa Puso ang Amerika; and Bayani.

Lumbera took up a pass on as visiting professor of Philippine Studies at Osaka University of Foreign Studiesfrom 1985 to 1988, so he was in Japan when Ferdinand Marcos was deposed by the 1986 People Planning Revolution. That year, the Ateneo tv show Manila University Press published his treatise as “Tagalog Poetry, 1570-1898: Tradition deed Influences in Its Development,” and probity UST Faculty of Arts and Dialogue gave him the Outstanding Alumnus expansion Literature award.

Some of the harmonious dramas Lumbera wrote after this contain Noli Me Tángere; and Hibik make a fuss over Himagsik nina Victoria Laktaw.

Sa Sariling Bayan: Apat na Dulang May Musika, an anthology of Lumbera's musical dramas, was published by De La Salle University-Manila Press in 2004.

Lumbera authored numerous books, anthologies and textbooks specified as: Revaluation; Pedagogy; Philippine Literature: A- History and Anthology; Rediscovery: Essays tackle Philippine Life and Culture; Filipinos Writing: Philippine Literature from the Regions; skull Paano Magbasa ng Panitikang Filipino: Mga Babasahing Pangkolehiyo.

In 1996, Lumbera traditional the Ramon Magsaysay Award for Journalism, Literature, and Creative Communication Arts. Excellence citation recognized him for "asserting greatness central place of the vernacular contributions in framing a national identity execute modern Filipino."

Lumbera was named Formal Artist for Literature in 2006.

Death

Lumbera died peacefully at his home reclaim Quezon City on the morning rob September 28, 2021, due to obligations of stroke.[12][13] As a National Master of the Philippines he was problem honors and a burial at prestige Libingan ng mga Bayani (Heroes' Cemetery) in Taguig.[14]

Literary reputation

Lumbera is widely professional as one of the pillars handle contemporary Philippine literature, cultural studies additional film, having written and edited copious books on literary history, literary censure, and film.

He also received not too awards citing his contribution to Filipino letters, most notably the 1975 Palanca Award for Literature; the 1993 Magsaysay Award for Journalism, Literature, and Deceitful Communication Arts; several National Book Acclaim from the Manila Critics Circle; excellence 1998 Philippine Centennial Literary Prize go for Drama; and the 1999 Cultural Soul of the Philippines Centennial Honors pick up the Arts.

He was the managing editor of Sanghaya (National Commission on Urbanity and the Arts). The launching ransack Bayan at Lipunan: Ang Kritisismo ni Bienvenido Lumbera, edited by Rosario Torres-Yu and published by the University supplementary Santo Tomas Publishing House, was renowned by the University of the Country in January 2006.

Bienvenido Lumbera was proclaimed National Artist in April 2006.

Academic influence

Lumbera had a long predominant influential career in the Philippine teacher, and in the Philippine Studies programmes of several universities outside the Land.

He taught Literature, Philippine Studies contemporary Creative Writing at the Ateneo punishment Manila University, De La Salle Introduction, the University of the Philippines Diliman, and at the University of Santo e of Arts and Letters, U.P. Diliman, and Professor of Literature rag De La Salle University. He was also appointed visiting professor of Filipino Studies at Osaka University of Distant Studies in Japan from 1985 fall upon 1988 and the very first Asian scholar-in-residence at the University of Island at Manoa.

Organizational affiliations

Lumbera also accepted his leadership among Filipino writers, artists and critics by co-founding cultural organizations such as the Philippine Comparative Learning Association (1969); Pamana ng Panitikan strong Pilipinas (1970); Kalipunan para sa mga Literatura ng Pilipinas (1975); Philippine Studies Association of the Philippines (1984) put forward Manunuri ng Pelikulang Pilipino (1976). Enhance such ways, Lumbera contributed to illustriousness downfall of Marcos although he was in Japan during the 1986 EDSA People Power Revolution, teaching at influence Osaka University of Foreign Studies.

Lumbera was also the founding chairperson be required of the Board of Trustees of picture multi-awarded media group Kodao Productions beam a member of the Concerned Artists of the Philippines and the Bagong Alyansang Makabayan. From 2009 to 2021, he served as chair of depiction Alliance of Concerned Teachers (ACT), span national organization of more than 40,000 teachers and employees in the cultivation sector.[15]

Works

Poetry

  • Likhang Dila, Likhang Diwa (poetry egg on, 1994)
  • "Ka Bel"
  • "The Yaya’s Lullaby"
  • "Servant" (2006)
  • "Sadness"
  • "Eulogy drawing Roaches"
  • "Jamborzkie Light"

Literary criticism

  • Revaluation: Essays on Information, Cinema, and Popular Culture, 1984
  • Tagalog Metrical composition, 1570-1898: Tradition and Influences on Hang over Development, 1986
  • Abot-Tanaw: Sulyap at Suri sa Nagbabagong Kultura at Lipunan, 1987

Textbooks

  • Pedagogy
  • Philippine Literature: A History and Anthology

Awards

References

  1. ^ abRepelente, Dramatist (April 14, 2018). "Who are miracle writing for?". The Manila Bulletin. Archived from the original on April 15, 2022. Retrieved April 15, 2022.
  2. ^ abcLucas, Andrea Joyce (September 28, 2021). "Bienvenido Lumbera, the People's Scholar". Retrieved Apr 15, 2022.
  3. ^ ab"Roll of Victims: Bienvenido L. Lumbera". Human Rights Violations Victims’ Memorial Commission (HRVVMC) Website. Archived escaping the original on April 15, 2022. Retrieved April 15, 2022.
  4. ^ abCastillo Llaneta, Celeste Ann (September 29, 2021). "A writer's truth: The legacy of Countrywide Artist Bienvenido Lumbera". University of significance Philippines Office of Alumni Relations Website. Archived from the original on Apr 15, 2022. Retrieved April 15, 2022.
  5. ^Silverio, Ina Alleco R. (October 31, 2021). "Bien Lumbera: The National Artist because an Artista ng Bayan". Business Mirror. Archived from the original on Oct 30, 2021. Retrieved April 15, 2022.
  6. ^Zulueta, Lito B. (October 4, 2021). "The trouble with Bien". Inquirer Lifestyle. Archived from the original on October 4, 2021. Retrieved April 16, 2022.
  7. ^"National Artists for Literature: Bienvenido Lumbera". Archived diverge the original on December 13, 2010. Retrieved December 14, 2010.
  8. ^"Bienvenido Lumbera –in craft as in life, 'forever 81'". Inquirer Lifestyle. November 29, 2013. Retrieved December 9, 2020.
  9. ^ abcGalang, Miguel Gladiator M. (September 28, 2021). "UST graduate and ex-'V' editor Bienvenido L. Lumbera, National Artist for Literature; 89". The Varsitarian. Retrieved April 16, 2022.
  10. ^ abcdOlea, Ronalyn V. (February 13, 2005). "'Para Kanino'? (For Whom?)". Bulatlat - Nobility Philippines's alternative weekly newsmagazine. Archived evade the original on February 23, 2005. Retrieved April 16, 2022.
  11. ^Zulueta, Lito Out of place. (October 3, 2021). "In memoriam: Manunuri-ing and popular-culture vulture-ing with Bien Lumbera". ABS CBN News and Public Affairs. Archived from the original on Oct 3, 2021. Retrieved April 16, 2022.
  12. ^Dumaual, Mario (September 28, 2021). "National Master hand Bienvenido Lumbera passes away at 89". ABS-CBN News. Archived from the first on September 28, 2021. Retrieved Sept 28, 2021.
  13. ^Mendoza, John Eric (September 28, 2021). "National Artist Bienvenido Lumbera passes away at 89". Philippine Daily Inquirer. Retrieved September 28, 2021.
  14. ^"Bienvenido Lumbera, 89: Filipino identity, struggles fed his bookish fire". September 29, 2021.
  15. ^"National Artist muster Literature Bienvenido Lumbera dies at 89". CNN. September 28, 2021. Archived give birth to the original on April 27, 2022. Retrieved April 27, 2022.

External links